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King Bach age is 37 as of November 2025. Explore his height, early life, rise on Vine, TV and film roles, and smart business moves, with quick facts, tables, and FAQs.
If you ever scrolled through a six-second clip and laughed out loud, there is a good chance King Bach was on your screen. The internet-comedy phenom, born Andrew Byron Bachelor, has evolved from Vine icon to dependable TV and film performer and a savvy entrepreneur. If you landed here searching for King Bach age, here is your quick answer: he was born on June 26, 1988, which makes him 37 years old as of November 25, 2025 [1][2]. He stands 5 feet 8 inches tall, or about 173 centimeters [3].

Beyond the headline stats, his story is a case study in turning a short-form comedy brand into a diversified entertainment career. From breaking records on Vine to landing roles on shows like The Mindy Project and Black Jesus, and from blockbuster-adjacent comedies to touring stand-up and dealmaking, Bach built a modern, cross-platform career that many creators now try to emulate [1].

| Item | Details |
|---|---|
| Full Name | Andrew Byron Bachelor |
| Stage Name | King Bach |
| Date of Birth | June 26, 1988 |
| Age | 37 (as of Nov 25, 2025) |
| Height | 5 ft 8 in (173 cm) |
| Birthplace | Toronto, Ontario, Canada |
| Nationality | Canadian-American |
| Occupations | Comedian, actor, internet personality |
| Years Active | 2012 to present |
| Known For | Most-followed creator on Vine; short-form sketch comedy |
| Education | Florida State University (Business Management); studied acting at NYFA |
| Net Worth (estimate) | About $3 million (public estimate, varies by source) |
| Next Birthday | June 26, 2026 (turns 38) |
Sources: Wikipedia for core bio and career highlights [1]; National Today for birthday and broad profile details [2]; Famous Birthdays for height [3].
King Bach is 37 years old as of November 25, 2025. He was born on June 26, 1988 [1][2]. That makes his next birthday June 26, 2026, when he turns 38. If you enjoy the numbers, here is a quick age breakdown:
He first caught mainstream attention in his mid-20s as Vine exploded. By the time the platform shut down, he had already built a recognizable comedy imprint and a bridge to television and streaming roles [1].
King Bach’s height is commonly listed at 5 feet 8 inches, which is about 173 centimeters [3]. He often emphasizes agility and timing rather than physical size in his sketches. In interviews and behind-the-scenes clips, he has noted that short-form comedy is less about stature and more about energy, facial expressions, and the precise rhythm of a joke. That approach translates well to sitcom beats and ensemble comedies, where reaction shots and deadpan timing carry as much weight as one-liners.
His athletic background is part of the story. At Florida State University, he combined business management studies with competitive athletics and then pivoted to formal acting studies at the New York Film Academy, which helped him develop discipline and camera awareness that show up across his sketches and screen roles [1][2].
Andrew Byron Bachelor was born in Toronto, Canada, to parents of Caribbean heritage and later grew up in Florida. He studied business management at Florida State University and subsequently trained in acting at the New York Film Academy before moving to Los Angeles to pursue screen work [1][2].
This blend of business and performance training became a foundation for his hybrid career. The business side helps with dealmaking and brand partnerships. The acting training sharpened his comic instincts, character work, and flexibility across formats, from micro-sketches to multicam sitcoms and feature films.
Vine’s six-second loop was a strange constraint for many creators. For King Bach, it was rocket fuel. He started posting in 2013 and quickly found a groove with character-driven bits, heightened reactions, and everyday scenarios pushed to absurdity. The platform’s loop mechanic rewarded punchy setups and callbacks, which matched his high-energy style.
Within a few years he became the most-followed creator on Vine, amassing a massive audience and billions of loops. Wikipedia’s historical summary of Vine credits Bach among its most dominant personalities, frequently cited as the most-followed user by the time the app wound down. That visibility attracted managers, casting directors, and brands that were eager to translate his online presence to the screen [1].
| Year | Milestone | Notes |
|---|---|---|
| 2013 | First breakout Vine sketches | Character-driven six-second bits take off [1] |
| 2014 | Explosive follower growth | Collaborations with other creators fuel the rise [1] |
| 2016 | Most-followed on Vine at shutdown | Billions of loops and massive cultural footprint [1] |
Two craft choices deserve mention. First, he treated short-form comedy like scripted miniatures. Each sketch had a clear premise, a beat or two of escalation, and a payoff. Second, he collaborated widely with other creators, cross-pollinating audiences. Those habits made his channel feel like a revolving repertory company that viewers returned to daily.
With Vine fame came guest spots, recurring roles, and film opportunities. Casting directors saw that he could deliver in short form and took bets that he could hit marks on set. He proved them right, turning up in comedies and action-adjacent projects that benefit from his elastic reactions and precise timing.
| Year | Project | Role | Format |
|---|---|---|---|
| 2014 | Black Jesus | Recurring | TV, Adult Swim [1] |
| 2014-2017 | The Mindy Project | Guest/Recurring | TV, Hulu [1] |
| 2014-2018 | Wild ‘N Out | Performer | TV, MTV/MTV2 [1] |
| 2015 | We Are Your Friends | Supporting | Feature film [1] |
| 2016 | Meet the Blacks | Supporting | Feature film [6] |
| 2016 | Fifty Shades of Black | Supporting | Feature film [1] |
| 2017 | The Babysitter | Supporting | Feature film, Netflix [1] |
| 2018 | To All the Boys I’ve Loved Before | Supporting | Feature film, Netflix [1] |
| 2018 | When We First Met | Supporting | Feature film, Netflix [1] |
| 2020 | The Babysitter: Killer Queen | Supporting | Feature film, Netflix [1] |
| 2020 | Greenland | Supporting | Feature film [1] |
Across these projects, a pattern emerges. King Bach tends to play characters that bounce off the lead, add kinetic energy, or punctuate a scene with a well-timed aside. The improvisational instincts he honed in six seconds serve him in the edit bay, where quick cuts and bold reactions can steal a moment. That same style translates well to multicam shows and high-velocity comedies.

Even as film and TV credits grew, Bach stayed loyal to digital-first comedy. His Instagram and TikTok feeds remain active with sketches, reaction shots, and crowd clips, which keep his audience engaged between larger projects [4][5]. He has toured stand-up sets that echo the speed of his sketch work, often blending crowd interactions with tidily crafted bits. For creators who worry that long-form work will dull their algorithmic edge, his approach is notable: keep the daily feed fed, then point the feed to larger tentpoles.
The result is an ecosystem where a short video can tease a tour date, a behind-the-scenes image can preview a role, and a podcast visit can feed new sketch ideas. That flywheel is one reason Bach has remained relevant in an era when many Vine-era names faded.
King Bach’s entrepreneurial lens is evident in how he reinvested attention from Vine into a broader brand. Public profiles often note that he launched a production banner for digital and branded content, collaborated with other creators on large cross-platform stunts, and maintained a pipeline for touring and ticketed appearances [2]. He has also been associated with early creator-led streaming initiatives and recurring brand partnerships, two pillars that convert short-form reach into recurring revenue.
Most importantly, he treats his online presence as a studio slate. Sketch series, recurring characters, and co-starring collabs function like a small network schedule. That mindset mirrors what many top creators now do on YouTube and TikTok, but Bach was doing it at scale during the Vine era and carried it forward as platforms changed. It is one reason his brand weathered the end of Vine and found new growth on Instagram Reels and TikTok [1][4][5].
Plenty of viral stars struggled to cross over. Bach did not. Here are the levers that made the difference.
| Metric | Figure | Notes |
|---|---|---|
| Age | 37 | Born June 26, 1988 [1][2] |
| Height | 5’8″ (173 cm) | Reported height [3] |
| Years Active | About 13 | 2012 to present [1] |
| Signature Platform | Vine | Most-followed creator at shutdown [1] |
| Notable Films | The Babysitter, To All the Boys I’ve Loved Before | Netflix era roles [1] |
| Net Worth | Estimated $3 million | Public estimate, varies by source [2] |
Through 2024 and into 2025, King Bach’s Instagram and TikTok accounts showed steady posts, collabs, and touring updates, signaling the same multi-track strategy he has used for years [4][5]. While individual projects cycle in and out, the framework persists: short-form sketches to maintain daily visibility, packed weekends on stage, and a steady flow of film or TV appearances that keep his name in casting rooms.
For fans, that means a reliable stream of laughs and a regular chance to see him live. For aspiring creators, it is a blueprint for longevity. Build an audience on one platform, but never make that platform your only pipeline.
| Year | Milestone | Why It Matters |
|---|---|---|
| 2012-2013 | Starts posting Vine sketches | Identifies a format that amplifies his strengths [1] |
| 2014 | Breakout status on Vine | Collabs and recurring characters drive growth [1] |
| 2014-2015 | TV roles in Black Jesus and The Mindy Project | Proof of concept for long-form crossover [1] |
| 2016 | Appears in Meet the Blacks and other comedies | Expands filmography beyond sketch [6] |
| 2017-2020 | Netflix era with The Babysitter films and rom-coms | Introduces him to global streaming audiences [1] |
| 2020s | Stand-up touring plus constant short-form output | De-risks platform shifts, keeps brand fresh [4][5] |
King Bach’s comedy toggles between everyday setups and slapstick exaggeration. Business courses at Florida State helped him think about audience retention and iterate quickly, while acting classes improved his line readings and staging. The result is a sharp sense of where to place the camera, how to engineer a visual punchline, and how to end on a memorable button within seconds [1][2].
That combination works just as well in his longer roles. On The Mindy Project, he contributes quick bursts of comic energy that complement the ensemble. In features like The Babysitter, he shines in brisk scenes that benefit from his precision timing. Whether the camera is on him for six seconds or six minutes, he treats every moment like a chance to land the beat and get out clean.
One reason Bach’s internet era output aged well is that it was never a solo act. He frequently co-wrote, co-starred, and co-promoted his sketches with a rotating cast of fellow creators. That practice has become standard today, but at the height of Vine it set a template for efficient growth. Shared audiences move together, algorithms reward cross-traffic, and creators avoid burnout by sharing the load.
On the business side, this translates to creator-led production. Even if the set is a living room, a repeatable format, with series arcs, guest cameos, and a light publishing calendar, looks and behaves like a studio slate. If one series cools, another can warm up. That portfolio approach is key to sustaining attention across years and platform shifts [1][2].
Enjoy profiles of younger public figures and how they grow up around fame? Read our deep dive on King Javien Conde. Curious how other internet stars pivot into acting? Explore Dixie D’Amelio’s move into TV and film for another perspective on the social-to-screen pipeline.
King Bach is 37 years old as of November 25, 2025. He was born on June 26, 1988, and will turn 38 on June 26, 2026 [1][2].
He is 5 feet 8 inches tall, about 173 centimeters, as commonly reported by public profiles and fan databases [3].
His birth name is Andrew Byron Bachelor. He performs under the stage name King Bach [1].
He was born in Toronto, Ontario, Canada, and later grew up in Florida. He holds Canadian-American nationality [1][2].
He rose to fame on Vine with six-second comedy sketches and became the platform’s most-followed creator. That visibility opened doors to TV and film roles, stand-up touring, and brand partnerships [1].
Notable credits include Black Jesus, The Mindy Project, The Babysitter films, To All the Boys I’ve Loved Before, When We First Met, and Meet the Blacks [1][6].
Yes. His Instagram and TikTok remain active with sketches, collabs, and touring announcements, which keeps daily engagement high between projects [4][5].
He studied business management at Florida State University and later pursued acting studies at the New York Film Academy, which contributed to his versatile on-camera style [1][2].
Public estimates vary. Some sources place it around $3 million, which should be treated as an estimate rather than an audited figure [2].
Yes. He has continued to perform live, and his social feeds regularly promote tour dates and live appearances in addition to screen roles [4][5].